Pedro G. Romero
Pedro G. Romero works across the fields of art, theory, literature, film, music, theatre and dance. He is an art and literature critic, publisher, essayist and flamenco expert. Since 2000 he has been working on the ongoing Archivo F.X., linking documents of anticlerical iconoclasm during the Spanish Civil War with avant-garde and contemporary artistic positions, and on Máquina P.H., realising various formats of artistic collaborations in flamenco performance.
Romero’s projects have been presented at, among others, documenta 14 in Athens and Kassel (2017), 31st Bienal de São Paulo (2014), Manifesta 8 in Murcia and Cartagena (2010), the Catalan Pavilion at the 53rd Venice Biennale (2009) and SculptureCenter in Long Island City (2008). He has written numerous choreographies for flamenco dancer Israel Galván and curated exhibitions such as Poesía Brossa at MACBA in Barcelona (together with Teresa Grandas, 2017–18), Tratado de Paz for DSS2016 in San Sebastian (2016) and The Spanish Night: Flamenco, Avant-Garde and Popular Culture at Museo Nacional Centro de Arte Reina Sofía in Madrid (2007).
Pedro G. Romero lives and works in Seville.